Vandoren V21 Saxophone Reeds Introduction I have played on almost every type of Vandoren reed on the market today except for the V12’s. Currently, the Vandoren Java Red box 2.5 has become my favorite cut as mentioned in my Vandoren Product Overview(Vandoren Product Review). Since Vandoren has released the V21 reeds for alto and tenor saxophone, I […]
Forestone’s Hinoki Reeds and Mouthpiece Patches Introduction Forestone continues to research, develop, and improve upon their existing product line. Recently, Forestone introduced a new synthetic reed called “Hinoki”. The Forestone “Hinoki”reed is a jazz cut hybrid that unlike the black bamboo model, comes in an ivory color that more resembles traditional cane. Forestone was nice […]
Bravo Reeds Introduction With the various limitations that traditional cane reeds present to saxophonists such as warping, consistency, and longevity. There are more and more manufacturers coming to the market with synthetic alternatives to address these issues. I have tried various synthetic reeds from Legere, Bari, Fiberreed, Forestone, Fibracell, and although I still prefer traditional […]
ReedJuvinate Introduction I have struggled like many saxophonists to find a good reed. I would say most to all players have bought a box of 5 or 10 reeds and have only found one or two reeds that play well right out of the box. Some methods I have used to improve the overall reed’s […]
Biography Lucas Pino, multi-instrumentalist, composer and bandleader has been hailed as one of the most sought-after saxophone voices of his generation on the scene today. Pino has been called a “high wire act of musical textures and technique…” (Carmel DeSoto, jazzpolice.com) and been described as having “huge range, controlled ferocity, fleet notes and articulate expression” (Geoff Chapman, […]
I purchased the ReedGeek last year after its creator, Mauro, showed me some basic tips how to improve a reed that was not responding to my satisfaction. This year, Mauro showed me the new ReedGeek which is called the ReedGeek “Universal” G3 which has a titatinum-cermicoat so you do not have to polish or sharpen this ReedGeek over time.
As was the case with the 2014 NAMM show, (in case you’re new to the term,”NAMM” stands for North American Music Merchandisers), the 2015 NAMM show was yet another year filled with some great new products ranging from saxophones to mouthpieces to ligatures, and more.
Introduction I have seen more and more players using the ReedGeek to work on reeds that are not performing to their standards. Before the ReedGeek, I used to use various grits of sandpaper to work on my reeds which sometimes worked but other times I ended up destroying the reed or sanding the reed down […]