Sometimes I think back on the way it used to be… I traveled regularly with multiple horns and never had a problem getting on a plane. Usually a tenor and a soprano, sometimes even a backpack with a clarinet and flute too. When I moved to the east coast for college, I even remember getting two [read more…]
I recently saw a video with the great saxman Bob Reynolds, who’s best known for playing in John Mayer’s band, but also quite an established solo artist in his own right. At any rate, in a video (for his mailing list and online students only) he talks about how the best mouthpiece you’ll ever find [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
SAXOPHONETONE.COM
The Ultimate Guide to Saxophone Sound Production
Every once in a while I come across a saxophonist new to me who truly blows me away. Thanks to NYC sax maestro Daniel Blake, now is once in a while. As if performing and touring internationally with artists such as Esperanza Spalding, Anthony Braxton, Kenny Werner, Danilo Perez, Lukas Ligeti, Peter Evans, Ricardo Gallo, [read more…]
Over the years, I have purchased student, intermediate, and professional alto and tenor saxophones. When I purchased a student or professional saxophone, I assumed that the saxophone case that came with the horn would be sufficient to protect it, but such is not always the case. In my experience as both a player and a [read more…]
Those of us familiar with Mike DiRubbo’s fiery brand of no-nonsense improvised flights of fancy can attest to the fact that he’s a major player in the jazz saxophone game. With shades of Kenny Garret, Jackie McLean, and John Coltrane, DiRubbo’s alto speaks in a distinctly powerful voice that’s at the same time modern and timeless. [read more…]
This post is part of a special column titled “Ask a Saxophone Repairman” with answers supplied by our resident repair whiz, Matt Stohrer of Stohrer Music. Disclaimer: Saxophone repair is a complicated business, depending not only on the skill of the repairer but on the reality of the situation at hand. The advice given here is given [read more…]
In the hands of New York City’s Patrick Cornelius, the saxophone is mere putty. His latest solo outing titled Maybe Steps features Cornelius soaring through a melodic collection of original tunes as well as a couple of standards accompanied by an intense, yet subtle backdrop supplied by his top-notch rhythm section. Starting off on the [read more…]
This is a video review of a very interesting and exciting relatively new reed adjusting tool for saxophone known as the Reed Geek (no, really?). If you can get past my awkwardness on camera, you’ll heard what I believe to be a noticeable difference in the sound of the reed after I spent just a few [read more…]
This article is based on a question sent in by Best. Saxophone. Website. Ever. guest writer and reader Charles “Chazz” Pratt in Phoenix, Arizona (question has been slightly abbreviated): Here’s a question that’s been on my mind for quite some time. Where do people practice? If you’re traveling (not as a gigging musician, but mainly [read more…]
Choosing a neck strap that fits you is easier said than done. Although a saxophone neck strap is a fairly simple design and many just see it as something that holds the horn while you’re playing, there are many neck straps that do not give sax players the support and comfort they desire. The four [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
