To keep it interesting for myself, one of the things I did while writing The Jazz Saxophone Book, was to create what I called “Short Asides.” When something I was writing about sparked an idea that deserved a bit of a detour, I’d go ahead and write about it, and the Short Aside format helped [read more…]
Introduction I recently took a trip down to San Diego to visit family and was able to meet up with Chris G (IG: @chrisgsax) who has created some great content under his YouTube Channel Positively Progressing. During our hang, Chris shared with me one of his fairly recent II-V- Tuesday videos and this one was [read more…]
Obviously, there's more to great sax playing than playing a bunch of fast notes. But without being able to get around the horn quickly and smoothly, you can't move your audience with that feeling of musical adrenaline that got you excited about the sax in the first place.
The problem is that too many of us feel like practicing boring scales and arpeggios is part of the dues we all have to pay, without realizing that practicing technique can be a fun and creative process.
With his new streaming video course focused 100% on technique, renowned recording artist, Adam Larson takes you way beyond what "falls easily under the fingers". Instead, he gets you rooting out anything that might be tripping up your fingers - all while adding new melodic and harmonic sounds to your vocabulary. So if you're ready to tear it up without wanting to tear out your hair, click below and let's get started today!
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Lightning-Fast and Crystal-Clean Saxophone Technique
This past March, on Bach’s 336th birthday, I put out a collection of jazz etudes called Bach Shapes: The Etudes. The book collects etudes from my Bach Shapes books, which isolate the beautiful melodic shapes of Bach’s music so you can apply them to tunes or technical practice. There are short analyses for each etude in the book but [read more…]
Introduction As we come out of the first year of a historic global pandemic, I am glad to say that many musicians have adjusted and come out with creative ways to release and promote their existing and new music, as well as simply survive. One such musician is renowned saxophonist, Tim Garland. I am very [read more…]
Introduction The following article is a mini-lesson that incorporates an etude from Little Leaps and Sounds, which is my latest book geared towards the intermediate level and includes etudes written over twelve common jazz standards. After releasing Volume 1-3 of Leaps and Sounds between 2018-2020, I saw there might be a need for etudes written with [read more…]
Introduction I strongly believe that transcription is the key to learning jazz improvisation. This certainly was the case for me and for the numerous jazz musicians that I have performed with over the years. I do not believe that I have met a great improviser that claimed to have never transcribed. For me, a light [read more…]
Introduction As many people know, becoming a full-time musician, is no easy feat (with or without a global pandemic). It has become increasingly difficult for even somewhat-established artists to maintain a steady stream of income due to fewer jazz clubs and heightened competition from other musicians vying for a smaller pool of gigs. Although jazz [read more…]
As 2019 marked the 60th anniversary of John Coltrane’s initial recording of “Giant Steps” (March, 1959 for the Atlantic record label), it seems hard to believe that it was really that long ago. Along with an additional pair of originals, “Countdown” and “Fifth House”, also recorded that year, these three tunes employed a harmonic device [read more…]
As jazz saxophonists we are always contending with the challenge of “originality.” Like most saxophone students, I started out practicing from method books and transcribed solos, but eventually realized that I was not going to stand out as a player, or feel creatively fulfilled, if I only practiced what everyone else was practicing. I had [read more…]
Photo By “Lindsey Victoria Photography” Introduction I remember seeing and hearing Don Braden play at my first Jamey Aebersold Summer Jazz Camp. Since then, I have followed Don as a player as well as teacher and this past [read more…]