My experience with recording various woodwinds at home during the pandemic was full of trial and error. Check out these 6 tips and tricks I learned to help your woodwind recordings sound more professional! 1. Have a Couple of ‘Perfect’ Reeds As always, make sure you have a few reeds that are perfectly worn-in, like [read more…]
I have been following Jack Finucane at the increasingly-popular Boston Sax Shop for quite some time. Since the introduction of the Balam Back Strap, Jack has expanded his product line to include his own necks (Heritage Neck), neck-straps (Newbury Street & Deluxe), cases (Ambassador Case for tenor and alto), reeds (B.S.S.), and most recently his [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
SAXOPHONETONE.COM
The Ultimate Guide to Saxophone Sound Production
Introduction Once again, the NAMM (National Association of Music Merchants) Show 2020 was filled with exhibitors showcasing their latest music-making products, so once again,I was lucky enough to be able to visit the show myself and check out all of the latest and greatest saxophones, necks, ligatures, mouthpieces, reeds, neck-straps, neck-screws, cases and the list [read more…]
I’m writing this list at a coffee shop in Des Moines, IA before my forty fifth show on a 44-day tour. In the last 44 days I had the pleasure of playing in multiple cities in WI, MI, MN, ND, SD, WY, MT, ID, UT, WA, BC, OR, CA, AZ, TX, Mexico, NM, CO, NE [read more…]
I know I’m not the only guy out there who loves to futz around the music store, trying the latest gear, wanting to play a different horn or a different mouthpiece, looking for that edge – that mystical “something” in the sound that just gives me that little “extra boost” toward sound nirvana. But if [read more…]
Introduction This marks my 7th year attending NAMM (National Association of Music Merchants) and the show keeps getting better and better every year. Similar to my experience at the 2017 NAMM Show (2017 NAMM Show Saxophone Gear Roundup), the 2018 NAMM Show was full of exhibitors showcasing products such as: necks, ligatures, mouthpieces, reeds, neck-straps, cases [read more…]
Introduction Légère Reeds LTD, has become one of the most popular synthetic reeds on the market today. More and more saxophonists have made the switch to Légère due to the many common problems and inconsistencies they have faced while dealing with traditional cane reeds. I have tried various Forestone, Bravo, FiberReed and a few other [read more…]
Introduction This marks my 6th year attending NAMM (National Association of Music Merchants) and the show keeps getting bigger and better every year. Similar to the 2016 NAMM Show (2016 NAMM Show Saxophone Gear Roundup), the 2017 NAMM show was yet another year filled with more exhibitors showcasing new and updated products including: saxophones, necks, ligatures, [read more…]
Introduction With musicians continued frustration around the consistency of cane reeds from brand to brand, there have been more reed tools hitting the market designed to help address this common issue. In the past, I had tried sand paper, reed rush, and a reed knife to try and correct various reeds that either played too [read more…]
Vandoren V21 Saxophone Reeds Introduction I have played on almost every type of Vandoren reed on the market today except for the V12’s. Currently, the Vandoren Java Red box 2.5 has become my favorite cut as mentioned in my Vandoren Product Overview(Vandoren Product Review). Since Vandoren has released the V21 reeds for alto and tenor saxophone, I [read more…]