While at the NAMM 2012 show I had the opportunity to meet and network with some of the world’s leading musical instrument and accessory manufacturers as well as some of the greatest saxophonists playing today. I was able to speak with established saxophonists such as Bob Reynolds, Greg Osby, and Pete Christlieb as well as [read more…]
Many musicians end up choosing the wrong mouthpiece or a specific brand of mouthpiece because their teacher or band director tells them that is what they have to play. From my experience in listening to video lessons from saxophonists such as Bob Reynolds, Don Menza, Bob Sheppard, and Antonio Hart along with the lessons I’ve taken [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
SAXOPHONETONE.COM
The Ultimate Guide to Saxophone Sound Production
Ligatures- do they make a difference? I have heard and read many reviews about the saxophone ligature and whether or not it had an effect on one’s sound. From my personal experience, I think a ligature has two goals. The first goal is to simply hold the reed on the mouthpiece, and the second goal is [read more…]
Over the years, I have purchased student, intermediate, and professional alto and tenor saxophones. When I purchased a student or professional saxophone, I assumed that the saxophone case that came with the horn would be sufficient to protect it, but such is not always the case. In my experience as both a player and a [read more…]
Choosing a neck strap that fits you is easier said than done. Although a saxophone neck strap is a fairly simple design and many just see it as something that holds the horn while you’re playing, there are many neck straps that do not give sax players the support and comfort they desire. The four [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
