Introduction I have been a fan of Loren Stillman’s playing for quite some time. Recently, I saw Loren posting more videos on Instagram of himself playing tenor – an instrument which I didn’t know he played – and sharing some great practice ideas everyone could benefit from as well as additional content on his Patreon. [read more…]
Introduction Getting caught in the YouTube rabbit hole can be a blessing and a curse. At times, you will be taken to videos of new players you’ve never heard of and are glad you checked out and at other times through countless random videos to where you ask yourself “what am I doing?” In this [read more…]
Here's a new alternative to the uninspiring tunes often found in the average beginning sax book. This collection of 25 tunes, each with backing and demonstration tracks plus a video tutorial, is the product one of my most significant discoveries in over two decades of working with beginning saxophonists. That is, beginners learn fundamentals much faster by playing the kind of music that attracted them to the horn in the first place.
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🎷 Sax Fundamentals Faster
“Transcribe”, our teachers said. “Transcribe”, we now say to ourselves and our students, but in a world where almost all of us have easy internet access, it isn’t hard to find sheet music for nearly any great solo. So why continue to transcribe, and how can we make sure it’s a useful exercise for our [read more…]
My previous article for this website explored transposition as a method of generating new ideas for improvising. With the imminent release of my book Patterns for Creative Improvisation, Volume 2, I am exploring another source of improvisational material: transcriptions. By combining transcriptions of our favorite improvised solos with some simple applications of music theory, we [read more…]
I’m going to go out on a limb and guess that unless you a super-advanced and possibly professional improvising musician, you sometimes struggle to come up with new stuff to play in your solos. Next, I’m going to go out a bit farther out on that limb and guess that many of you look to resources [read more…]
To keep it interesting for myself, one of the things I did while writing The Jazz Saxophone Book, was to create what I called “Short Asides.” When something I was writing about sparked an idea that deserved a bit of a detour, I’d go ahead and write about it, and the Short Aside format helped [read more…]
This past March, on Bach’s 336th birthday, I put out a collection of jazz etudes called Bach Shapes: The Etudes. The book collects etudes from my Bach Shapes books, which isolate the beautiful melodic shapes of Bach’s music so you can apply them to tunes or technical practice. There are short analyses for each etude in the book but [read more…]
How can you improve the essential elements of your improvisation? Follow the advice in Sy Oliver & Trummy Young’s song: “It Ain’t What You Do (It’s the Way That You Do It).” Great soloists play interestingly and confidently. As listeners, we perceive that as charisma. In jazz education, there’s a lot of focus on what [read more…]
Like many of you I’m sure, my first loves on jazz saxophone were people like Charlie Parker, Cannonball Adderley, Phil Woods, Stan Getz, John Coltrane, Hank Mobley, Joe Lovano, Michael Brecker, etc…. you get the idea – the modern lineage that I connected to easily and shaped this music that we love. I immediately wanted [read more…]
This article is a lesson that comes to us courtesy of world-renown saxophonist, Jon Gordon, and also appears in his book, Foundations for Improvisors. For nearly all jazz improvisors, the chord progression that is most familiar is the two-five-one (ii-7, V7, I), which is the basis of be-bop harmony. However, as we learn to expand [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
