This article is a lesson that comes to us courtesy of world-renown saxophonist, Jon Gordon, and also appears in his book, Foundations for Improvisors. For this lesson it’s essential that you have or can get access to a keyboard to play through and hear this material. One concept I find very helpful to musicians is the [read more…]
One very important concept I work on with students (as well as work on myself) can be distilled down to three words. What I infer in this statement is that an instrumentalist might think of a way to formulate their playing, be it improvised or playing the theme, so that you can actually hear all [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
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The Ultimate Guide to Saxophone Sound Production
If you’re like me, you’re always looking for ways to vary your practice routine, improve sense of rhythm and expand your language as an improviser. Here are a few exercises that incorporate groups of five notes (quintuplets) into some very simple triadic exercises that you can practice over the entire range of the saxophone. Some [read more…]
I can’t tell you how many times I’ve heard educators and musicians refer to learning about jazz improvisation as “learning the jazz language.” Believe it or not, the more I learn about jazz improvisation, the more I agree that this analogy is spot on. The biggest issue that many folks run into, however, is turning [read more…]
We live in an increasingly visual world. A world of billboards, smart phones, computer screens, FaceTime, Instagram, Google ads, Facebook photos, Photoshop. But how about this – jazz music is all about listening. It’s all about sound. It’s an aural tradition. Jazz musicians say this all the time for good reason – because it’s true! [read more…]
Anyone can play fast and accurately. There is no magic to it, just practising in a correct and constructive way. Most students nowadays fall into what I like to call a computer game mentality when they practice. They play a passage/lick/exercise wrong and/or sloppy a few times, and when they play it right once or [read more…]
This guest post is from saxophone and multi-reed player, composer, recording artist, and educator Sam Sadigursky of SamSadigursky.com One of the best ways of building your ears and learning the jazz vocabulary is to transcribe solos by the masters. It’s one of the few things that, in some form or another, just about every jazz player has [read more…]
This article is the second of a two-part series on ear training brought to you by Scott Edwards of Ear Training HQ. Click here to read the first installment. A big part of ear training involves working on dedicated ear training exercises. These exercises focus on individual sounds (whether it’s intervals, scale degrees/solfege or chords) so you can learn [read more…]
This article is the first of a two-part series on ear training brought to you by Scott Edwards of Ear Training HQ. Once you’re done with this one, click here to read the second installment. When we first learn to play the saxophone we start by learning to make a sound. Then we learn where to put our fingers. After [read more…]
If you’re someone that has been tinkering and experimenting with the altissimo range of your saxophone, then good for you. It’s something we can all use as an important tool for increasing our expressive abilities when playing the sax. If your attempts have been a bit frustrating then I have good news for you… you [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
