Introduction During my time here at BSWE, I have reviewed such products as mouthpieces, reeds, ligatures, mouthpiece patches, saxophone necks, saxophones, cases, books, etc. Most recently, I was sent information from Bengt Lidgard, CEO of ScoreCloud, to review their product, also called, ScoreCloud. When I first reviewed the product information and the website, it reminded [read more…]
Have you ever sat down to practice and had any of the following thoughts? I don’t know where to begin I feel lost I’ve run out of things to practice I don’t know what to practice I’m tired of practicing the same music I’m not getting any better If you’ve had any of these thoughts, [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
SAXOPHONETONE.COM
The Ultimate Guide to Saxophone Sound Production
Learn your scales. Learn your scales. Learn your scales… We hear it over and over while we’re learning to play music, but often we don’t hear enough about what we can do with those scales once we’ve learned them. When we really learn scales, they can unlock many musical doors for us, and to build [read more…]
I first heard about Penella saxophones by reading a few comments about them on SaxOnTheWeb.net. After I finished reading the comments, I wanted to find out more information and ended up going to their Facebook page to do some more research. On the Facebook page, I was able to find a few videos of musicians [read more…]
Scales are the “raw material” of melody, whether improvised or composed. It’s not likely that you’ll study jazz improvisation to any serious degree without spending a lot of time learning, exploring and creating melodies with scalar material (as well as understanding how these scales relate to harmony). In modern jazz improvisation, many different scale colors [read more…]
How many times has it happened that you tell somebody that you play the saxophone, and the first thing that they say, with a glint in their eyes is, “Oh, I love the saxophone…” Now, I hate to say it, but they probably aren’t thinking of Bird’s burning solo on Donna Lee, Coltrane’s “sheets of [read more…]
While at the 2014 NAMM show, I ran into mouthpiece maker Ted Klum and professional saxophonist Eddie Rich, who were test playing different types of saxophones, reeds, and ligatures. While I was talking to both of them, I noticed that on all of their mouthpieces they were using a ligature that I had not seen [read more…]
When teaching, I’m often struck by how many students can play all their major scales but have little actual understanding of the keys that they play in and how their related key signatures are constructed. Having an understanding of key signatures will greatly improve your reading and general music literacy, which will set you loose [read more…]
I have reviewed Forestone’s filed and unfiled reeds, finding that each had its own sound characteristics. Recently, I was introduced to the Forestone Black Bamboo reed. I knew I needed to test-play this reed to find out how it differed from the filed and unfiled cuts. For those of you new to the brand, Forestone’s reeds [read more…]
Professional classical musicians seem to be able to memorize impossibly complicated solo works, orchestral excerpts, and other pieces in a short amount of time and with remarkable recall and precision. Similarly, professional jazz musicians know hundreds of tunes and seem to be able to play back almost anything they hear – in any key [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
