This article is based on a question sent in by Best. Saxophone. Website. Ever. guest writer and reader Charles “Chazz” Pratt in Phoenix, Arizona (question has been slightly abbreviated): Here’s a question that’s been on my mind for quite some time. Where do people practice? If you’re traveling (not as a gigging musician, but mainly [read more…]
Choosing a neck strap that fits you is easier said than done. Although a saxophone neck strap is a fairly simple design and many just see it as something that holds the horn while you’re playing, there are many neck straps that do not give sax players the support and comfort they desire. The four [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
SAXOPHONETONE.COM
The Ultimate Guide to Saxophone Sound Production
When putting these interview articles together, sometimes I get an artist whose accomplishments are so impressive and numerous that it makes putting everything into a few paragraphs, well, kind of a pain in the tush. That said, thanks a lot Grace Kelly. I’ll go ahead and list just a few of the bullet points here: [read more…]
I’ve recently begun to throw myself full force into practicing again. Although I’ve done quite a bit of professional playing in my day, the last few years have seen me doing a lot more work at the computer and a lot less at the horn. But unlike other periods where music performance was a more central [read more…]
This article serves as the show notes for this week’s podcast interview with Greg Banaszak. Greg Banaszak is a rare breed of saxophonist indeed. First off, let’s start with his status as, literally, one of the most esteemed classical saxophonists walking the planet at this time. The New York Times refers to him as “A Saxophone Tour [read more…]
This article is part two if a two-part interview series with Matt Stohrer on what it is that makes a saxophone a true “pro” model. If you haven’t done so already, check out part I to get the full scoop. DO: In your opinion, what makes a saxophone truly a “pro” horn as opposed to [read more…]
This article is part one of a two-part interview series with Matt Stohrer on what it is that makes a saxophone a true “pro” model. With his relentless passion for all things saxophone, Matt Stohrer is a fountainhead of in-depth knowledge when it comes to the repairing, selling, and trading of saxophones. After servicing [read more…]
This is a guest post from saxophonist and educator David Erato of DavidErato.com. You’ve taken lessons for a few years or more. You have basic knowledge of music theory and proficiency on your horn. It may be time to share your knowledge with others. But to what degree? Will teaching be your main source of [read more…]
This is a guest post by Mark Catoe of http://markcatoe.tumblr.com. 1. Politics kept the saxophone out of the orchestra. When Adolphe Sax invented the saxophone, his shop made all the parts for all his instruments (including woodwinds and brass). The other instrument makers in town really didn’t like this, because they had been assembling interchangeable [read more…]
I remember taking my younger nephew to a musical exhibit on one of our most memorable family vacations. It was called Amazing Music Studio and it gave attendees the opportunity to pick an instrument of interest and learn, over the course of a few hours, the basics of that instrument. Rather than just pressing buttons [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
