For those of you who’ve been keeping up with the blog (and shame on you if you’re not one of those people), I’ve recently been putting out articles that have to do with the art of saxophone tone creation, including articles on overtones, practicing on the mouthpiece, and proper positioning of the lower lip. Since [read more…]
A few weeks ago I saw a brief instructional video by monster sax player and educator, George Garzone. In the video, he takes on a plethora of topics, but one thing he said really stood out to me. George says that the first thing he does when a new student comes to him is have [read more…]
The new JodyJazz DV HR Tenor uses the patented DV secondary window to add mid and low harmonics, resulting in a more authoritative tone than normal tenor sax mouthpieces provide. And the long straight somewhat high baffle gives the mouthpiece it’s fantastic projection and cutting power along with excellent altissimo.
JODYJAZZ.COM
The New DV HR Tenor from JodyJazz
Now repeat the title of this article 27 times in a row at 300 bpm. But seriously ladies and gents, with this article I’d like to stress the importance of practicing your instruments at all different levels of volume, from pianissimo all the way up to fortissimo. From the Back to the Middle and Around Again [read more…]
Dexter Gordon, Marcel Mule, David Sanborn – what do these legendary musicians all have in common? The answer, of course, is a big, beautiful, and distinctive tone. If you’re like me, for years and years, the only thing I ever heard about improving my sound was to practice long tones and support the air from [read more…]
Yes, yes, I know, I’ve been droning on and on about overtones lately. But I’ve really been having a good time practicing the exercises from part 3 of the Intro to Overtones series and isolating some of the muscles that haven’t really developed to the extent I’d like to develop them. One thing I discovered [read more…]
UPDATE: Adam is no longer 21, as you might imagine being that this article is a few years old, but it’s a nice snapshot in time of his development. Incidentally, since this article came out, I had the privilege of publishing Adam’s game-changing streaming video course focused 100% on sax technique, so head over to [read more…]
If you haven’t heard of Tim Willcox yet, then you’ll be hearing of this brilliant sax man soon enough. Based in Portland, Oregon, Tim has been honored with multiple awards. Besides being awarded in Downbeat magazine as a high school student, Tim was named a Presidential Scholar of the Arts, with the honor being bestowed [read more…]
This article is the third in a three-part series. If you haven’t done so already, I suggest you check out part one and part two. So now that we know what overtones are and why we should practice them, it’s time to put some of this knowledge to practice. While there are a good number of online [read more…]
So here I am with the second installment of Back on the Sax where I detail my adventures as I go from tech and blogging geek back into my former status of professional giggin’ sax player. To read more about the thinking behind this series you can check out my first Back on the Sax [read more…]
This article is the second in a three-part series. If you haven’t done so already, I suggest you check out part 1. So now, thanks to part one of this series, we know what overtones on the saxophone are. At this point, overtones/harmonics/partials may be an interesting concept, but how exactly do they impact us [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
