Long-time followers of this site might have seen my article from some years ago with a list of essential ballads to have in your repertoire. I know there were also a number of excellent suggestions of songs left off the list as well. The truth is, there are thousands of great songs flying around, so no [read more…]
There’s no good improviser in any style of music who hasn’t spent time mastering their pentatonic scales. The question, as always, is how do we master them and make them work for our own playing? The Pentatonic Pitfall Many beginning improvisers immediately start working with basic patterns and simply aim to rip through them as [read more…]
The new JodyJazz DV HR Tenor uses the patented DV secondary window to add mid and low harmonics, resulting in a more authoritative tone than normal tenor sax mouthpieces provide. And the long straight somewhat high baffle gives the mouthpiece it’s fantastic projection and cutting power along with excellent altissimo.
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The New DV HR Tenor from JodyJazz
Like many of you I’m sure, my first loves on jazz saxophone were people like Charlie Parker, Cannonball Adderley, Phil Woods, Stan Getz, John Coltrane, Hank Mobley, Joe Lovano, Michael Brecker, etc…. you get the idea – the modern lineage that I connected to easily and shaped this music that we love. I immediately wanted [read more…]
Here’s a simple exercise to help you gain confidence moving around various subdivisions of the beat while also improving the accuracy of your articulation at the same time. You’ll definitely need a metronome for this one, and it’s a good idea to record yourself doing this so you can hear how precisely you’re able to [read more…]
If you’re like me, you’re always looking for ways to vary your practice routine, improve sense of rhythm and expand your language as an improviser. Here are a few exercises that incorporate groups of five notes (quintuplets) into some very simple triadic exercises that you can practice over the entire range of the saxophone. Some [read more…]
One of the most bewildering things for people learning to improvise can be how to add chromatic notes into their playing. We often learn chords and scales, but simply knowing them doesn’t make us able to play the colorful and interesting notes that make up the solos of so many of the greats, as well [read more…]
This guest post is from saxophone and multi-reed player, composer, recording artist, and educator Sam Sadigursky of SamSadigursky.com One of the best ways of building your ears and learning the jazz vocabulary is to transcribe solos by the masters. It’s one of the few things that, in some form or another, just about every jazz player has [read more…]
Those of you who know me from my previous articles know that I’m a huge fan of practicing material written for instruments other than the saxophone. Part of this is that I’m always looking for new practice material, and that the saxophone is a relative baby on the scene, so relative to other instruments there’s [read more…]
By now, many of you have noticed that many saxophone players also play the flute, which is commonly referred to as a “double” in our world. Often, saxophone parts, particularly in big bands, include segments written for the flute, giving composers and arrangers an added color to work with. And in the studio and show [read more…]
Learn your scales. Learn your scales. Learn your scales… We hear it over and over while we’re learning to play music, but often we don’t hear enough about what we can do with those scales once we’ve learned them. When we really learn scales, they can unlock many musical doors for us, and to build [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
