Introduction After reviewing Eli Bennett’s book on Chris Potter’s solos over standards, I was contacted by AJ Kluth who also has come out with his own Chris Potter Transcription book which analyzes Potter’s solo’s on Standards. AJ told me that this book was originally published in 2007, but five years later he was able to […]
Saxophone Product Reviews
Introduction This marks my 5th year attending NAMM (National Association of Music Merchants) and it keeps getting better and better every year. The 2016 NAMM show was yet another year filled with more exhibitors showcasing new and updated products ranging from saxophones, necks, ligatures, mouthpieces, reeds, and the list goes on. With only 4 days […]
Introduction After reviewing Hip Licks for Saxophone Volume 1 and Volume 2, I contacted Greg when I heard about his new book called The Lobster Theory (and other analogies for jazz improvisation). I will be offering an overall review, my thoughts, and a conclusion as to what I was able to take away after working through this […]
Introduction As I discussed in my 2015 NAMM Product Review Part 1, over the past few years, the Silverstein ligatures have become one of the most popular ligatures used by professional players such as Dave Liebman, Jerry Bergonzi, Tony Malaby, Vincent Herring and the list goes on. Sean Yang and May Rhyu over at Silverstein […]
Introduction After test playing the Sax Dakota SDT-XR-92 at the 2015 NAMM show, Pete was nice enough to send me one to try out for a few days and gain a better understanding of what this horn has to offer. I will be reviewing the Sax Dakota SDT-XR-92 tenor saxophone based on the following criteria: […]
Introduction After having a chance to compare the Claude Lakey Compass ligature to my current setup (Marc Jean ligature) at the 2015 NAMM Show, I asked John Morrison, president of Claude Lakey, if I could spend some more time test-playing this ligature to see how it compares to other ligatures I have played in the […]
I purchased the ReedGeek last year after its creator, Mauro, showed me some basic tips how to improve a reed that was not responding to my satisfaction. This year, Mauro showed me the new ReedGeek which is called the ReedGeek “Universal” G3 which has a titatinum-cermicoat so you do not have to polish or sharpen this ReedGeek over time.
Throughout 2014, I saw more and more players using this SAXWORKS Ligature, and the overall response has been great. This year, I was able to meet with its creator, Joel Harrison. This lig, like the Compass by Claude Lakey, is designed to fit most common saxophone and clarinet mouthpieces.