Being that this website has been around for as long as it has (since 2010), link-based articles like these often become out outdated as some of the websites linked to disappear. Because of that, if you see that any of the links here go to defunct websites, please do let me know in the comments. [read more…]
You can play all of the Bird licks and Sonny Rollins solos you want – at the end of the day, without proper jazz articulation, it’s not going to sound like jazz, plain and simple. Of course, jazz articulation is a pretty massive topic in itself. In this video, I’m going to be focusing on [read more…]
The new JodyJazz DV HR Tenor uses the patented DV secondary window to add mid and low harmonics, resulting in a more authoritative tone than normal tenor sax mouthpieces provide. And the long straight somewhat high baffle gives the mouthpiece it’s fantastic projection and cutting power along with excellent altissimo.
JODYJAZZ.COM
The New DV HR Tenor from JodyJazz
I recently did a survey asking sax players what was the area of their playing that they’d most like to improve. The answer – well, you can probably guess that based on the title of this article. While technique is a very subjective term which can be used to describe the sum total of our [read more…]
As many of you know, I’m currently working on an e-book with accompanying audio lessons. One of my interviewees for the project is Bill Plake, whose insights into the physiological aspects of making music are seemingly endless. Among the many topics upon which I was enlightened by the good Mr. Plake was the puffing of [read more…]
UPDATE: This article is from 2011, so apologies in advance for any ridiculously outdated information. That said, most of the information here is quite general and should apply to playing gigs with DJs. Also, please feel free to leave a comment or reach out via the contact page if there are any broken (ancient) video links. [read more…]
To change things up just a little bit, I went ahead and put this week’s article to video. In my little micro-movie, I cover the topic of developing your own saxophone tone in a deliberate manner so that you can sound like you by first deciding what “you” sounds like. The video is a continuation [read more…]
UPDATE: This article is from 2011, so apologies in advance for any ridiculously outdated information. That said, most of the information here is quite general and should apply to getting gigs with DJs. Also, please feel free to leave a comment or reach out via the contact page if there are any broken (ancient) video links. [read more…]
Sometimes I think back on the way it used to be… I traveled regularly with multiple horns and never had a problem getting on a plane. Usually a tenor and a soprano, sometimes even a backpack with a clarinet and flute too. When I moved to the east coast for college, I even remember getting two [read more…]
As a sax player coming up, it was strongly engrained in my subconscious that no woodwind doubling equals no music career. I remember going to my strict but highly effective sax teacher Vince Trombetta (who also taught this other sax player named Michael Baker – or Brecker or something like that) and the accompanying displeasure of [read more…]
I recently saw a video with the great saxman Bob Reynolds, who’s best known for playing in John Mayer’s band, but also quite an established solo artist in his own right. At any rate, in a video (for his mailing list and online students only) he talks about how the best mouthpiece you’ll ever find [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
