As a sax player coming up, it was strongly engrained in my subconscious that no woodwind doubling equals no music career. I remember going to my strict but highly effective sax teacher Vince Trombetta (who also taught this other sax player named Michael Baker – or Brecker or something like that) and the accompanying displeasure of [read more…]
I recently saw a video with the great saxman Bob Reynolds, who’s best known for playing in John Mayer’s band, but also quite an established solo artist in his own right. At any rate, in a video (for his mailing list and online students only) he talks about how the best mouthpiece you’ll ever find [read more…]
Here's a new alternative to the uninspiring tunes often found in the average beginning sax book. This collection of 25 tunes, each with backing and demonstration tracks plus a video tutorial, is the product one of my most significant discoveries in over two decades of working with beginning saxophonists. That is, beginners learn fundamentals much faster by playing the kind of music that attracted them to the horn in the first place.
INFINITEMUSICAN.COM
🎷 Sax Fundamentals Faster
Every once in a while I come across a saxophonist new to me who truly blows me away. Thanks to NYC sax maestro Daniel Blake, now is once in a while. As if performing and touring internationally with artists such as Esperanza Spalding, Anthony Braxton, Kenny Werner, Danilo Perez, Lukas Ligeti, Peter Evans, Ricardo Gallo, [read more…]
“Don’t play the saxophone. Let it play you.” – Charlie Parker Playing a woodwind instrument requires deep breathing, steady air flow and appropriate pressure on the reed. If any of these are lacking, your air flow will be impaired, which will have a negative impact on your performance. By paying attention to your breathing, posture [read more…]
Over the years, I have purchased student, intermediate, and professional alto and tenor saxophones. When I purchased a student or professional saxophone, I assumed that the saxophone case that came with the horn would be sufficient to protect it, but such is not always the case. In my experience as both a player and a [read more…]
Those of us familiar with Mike DiRubbo’s fiery brand of no-nonsense improvised flights of fancy can attest to the fact that he’s a major player in the jazz saxophone game. With shades of Kenny Garret, Jackie McLean, and John Coltrane, DiRubbo’s alto speaks in a distinctly powerful voice that’s at the same time modern and timeless. [read more…]
Exactly one year ago, on October 5, 2010, I launched a little site with just a pocketful of articles, all written by yours truly. Right from the get-go, it was absolutely one of the most exciting creative projects I had ever been involved in. I was finally getting to put into practice all of the [read more…]
This post is part of a special column titled “Ask a Saxophone Repairman” with answers supplied by our resident repair whiz, Matt Stohrer of Stohrer Music. Disclaimer: Saxophone repair is a complicated business, depending not only on the skill of the repairer but on the reality of the situation at hand. The advice given here is given [read more…]
In the hands of New York City’s Patrick Cornelius, the saxophone is mere putty. His latest solo outing titled Maybe Steps features Cornelius soaring through a melodic collection of original tunes as well as a couple of standards accompanied by an intense, yet subtle backdrop supplied by his top-notch rhythm section. Starting off on the [read more…]
This is a video review of a very interesting and exciting relatively new reed adjusting tool for saxophone known as the Reed Geek (no, really?). If you can get past my awkwardness on camera, you’ll heard what I believe to be a noticeable difference in the sound of the reed after I spent just a few [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
