In my book Easy Easy Bebop, I refer to the lesson below as “the magic of the neck strap”. The short tip from the book has helped so many players that I decided to give further information on finding the “sweet spot” in the adjustment of one’s saxophone neck strap. As you know neck straps are [read more…]
Official Bio Hailing from the remote location of Perth, West Australia, saxophonist Troy Roberts has received numerous accolades including 3 DownBeat Jazz Soloist Awards, 2 Grammy Nominations, and was the only Australian semi-finalist in the 2008 Thelonious Monk International Jazz Saxophone Competition. Since attending The West Australian Academy Of Performing Arts (WAAPA) and graduating with [read more…]
Obviously, there's more to great sax playing than playing a bunch of fast notes. But without being able to get around the horn quickly and smoothly, you can't move your audience with that feeling of musical adrenaline that got you excited about the sax in the first place.
The problem is that too many of us feel like practicing boring scales and arpeggios is part of the dues we all have to pay, without realizing that practicing technique can be a fun and creative process.
With his new streaming video course focused 100% on technique, renowned recording artist, Adam Larson takes you way beyond what "falls easily under the fingers". Instead, he gets you rooting out anything that might be tripping up your fingers - all while adding new melodic and harmonic sounds to your vocabulary. So if you're ready to tear it up without wanting to tear out your hair, click below and let's get started today!
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Lightning-Fast and Crystal-Clean Saxophone Technique
This article is a lesson that comes to us courtesy of world-renown saxophonist, Jon Gordon, and also appears in his book, Foundations for Improvisors. For this lesson it’s essential that you have or can get access to a keyboard to play through and hear this material. One concept I find very helpful to musicians is the [read more…]
Introduction The vintage Otto Link “Slant Signature” mouthpiece is still today one of the most sought after and copied mouthpieces on the market. Almost every mouthpiece maker/manufacture offers their version of an Otto Link Slant Signature whether it be an “exact” copy or a slightly modified version. I have reviewed various Otto Link “Slant Signature” [read more…]
Once you have earned your first dollar, euro etc from playing music, you are now a professional. If you work as a full time, part time musician, composer, arranger, music teacher, or instrument repair tech, you are a professional. As such you need to act like a pro and you need to be aware of [read more…]
To sound bluesy on the saxophone you can go into depths of theory and get quite complicated, but you don’t have to! This method is designed to give you an introduction to creating a bluesy sound, is aimed at both beginners and more advanced players who have no experience of improvisation. There is an accompanying [read more…]
Are you unbelievably consistent? Once you’ve learnt something, do you deliver it perfectly every time? Or are you like most of us? Sometimes it’s there – and sometimes there’s something lacking. Your ability to focus is one of the keys to that holy grail of consistency, and it brings benefits in many other areas too. [read more…]
Introduction The saxophone stand is probably one of the most overlooked accessories by saxophonists today (at least in my opinion). The saxophone stand, although scene as a simple piece equipment with the purpose of holding the saxophone, should not be overlooked. There are a few popular manufacturers such as Hercules, Hamilton, K&M, which have been [read more…]
The main concepts that I wanted to address in writing my first book Leaps & Sounds: 12 Contemporary Etudes for Jazz Saxophone, were integration of large intervals into improvising, voice leading and harmonic content. When Doron (the owner of BestSaxophoneWebsiteEver.com), asked me to write a short article to expand a bit on these concepts, I [read more…]
Does it seem like there’s always way too much to practice? Everywhere you look there’s an exciting new concept to work on that will make your next solo awesome if you can just master it. Not to mention all the half-finished things that you keep meaning to come back to but somehow never do. If [read more…]