The music of Johann Sebastian Bach has long been admired by jazz musicians. John Lewis, Jacques Loussier, Ethan Iverson and many more have all interpreted his music in some way. This may be because there is so much structure and logic that can be applied to the way we improvise. Many know that the baroque [read more…]
We live in an increasingly visual world. A world of billboards, smart phones, computer screens, FaceTime, Instagram, Google ads, Facebook photos, Photoshop. But how about this – jazz music is all about listening. It’s all about sound. It’s an aural tradition. Jazz musicians say this all the time for good reason – because it’s true! [read more…]
The new JodyJazz DV HR Tenor uses the patented DV secondary window to add mid and low harmonics, resulting in a more authoritative tone than normal tenor sax mouthpieces provide. And the long straight somewhat high baffle gives the mouthpiece it’s fantastic projection and cutting power along with excellent altissimo.
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The New DV HR Tenor from JodyJazz
Stuck for ideas of what to play over that ii-V7? Give the octatonic (eight note) Diminished Scale a whirl. It’s a self contained, colorful, almost automatic source of melodic and harmonic tension and release that the masters have mastered since its inception. Within this symmetric, octatonic galaxy resides every available dominant tension (with the exception [read more…]
Introduction Seamus Blake is one of my favorite saxophonists on the scene today and continues to move jazz in a forward direction appealing to a wide range of audiences. During my senior year of college, I had the opportunity to meet Seamus Blake and attend his masterclass where he discussed sound, practicing in all 12 [read more…]
Anyone can play fast and accurately. There is no magic to it, just practising in a correct and constructive way. Most students nowadays fall into what I like to call a computer game mentality when they practice. They play a passage/lick/exercise wrong and/or sloppy a few times, and when they play it right once or [read more…]
In virtually any musical idiom from the Western hemisphere, major and minor triads are a fundamental building block of melody. From children’s songs, to folk melodies, to European classical music, to Broadway show tunes and more, some of the most highly recognized and easily sung melodies are based upon the color and structure of the [read more…]
Biography Bruce Williams hails from Washington, D.C. and has performed, toured, and recorded with a long roster of jazz legends such as: Little Jimmy Scott, Frank Foster, The Lincoln Center Jazz Orchestra, Stanley Cowell, Louis Smith, Cecil Brooks III, The Count Basie Orchestra, The World Saxophone Quartet, Russell Gunn, Curtis Fuller, and Roy Hargrove to just [read more…]
Introduction If you have listened to Tony Bennett & Lady Gaga, you might be wondering, who is that killing saxophonist backing up these two famous entertainers? If you don’t know, this is Steve Kortyka. I recently reached out to Steve to take a skype lesson and during my lesson, Steve shared two concepts with me [read more…]
Introduction I have been taking lessons from saxophonist Chad Lefkowitz-Brown, in which we have discussed a topic called “Approach Notes and Enclosures”. Chad informed me that this concept has helped many of his students move away from just playing scales over chords or “button pushing” and has helped students develop lines that sound more like [read more…]
Biography The gifted, versatile saxophonist/clarinetist/composer John Ellis occupies an imaginary (and extremely imaginative) space directly between the celebratory, welcoming spirit of New Orleans and the edgy, frantic streets of New York City. Both as the leader of his own eclectic projects and as an in-demand sideman for a mind-boggling number and variety of artists, Ellis [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
