To sound bluesy on the saxophone you can go into depths of theory and get quite complicated, but you don’t have to! This method is designed to give you an introduction to creating a bluesy sound, is aimed at both beginners and more advanced players who have no experience of improvisation. There is an accompanying [read more…]
The main concepts that I wanted to address in writing my first book Leaps & Sounds: 12 Contemporary Etudes for Jazz Saxophone, were integration of large intervals into improvising, voice leading and harmonic content. When Doron (the owner of BestSaxophoneWebsiteEver.com), asked me to write a short article to expand a bit on these concepts, I [read more…]
Here's a new alternative to the uninspiring tunes often found in the average beginning sax book. This collection of 25 tunes, each with backing and demonstration tracks plus a video tutorial, is the product one of my most significant discoveries in over two decades of working with beginning saxophonists. That is, beginners learn fundamentals much faster by playing the kind of music that attracted them to the horn in the first place.
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🎷 Sax Fundamentals Faster
Does it seem like there’s always way too much to practice? Everywhere you look there’s an exciting new concept to work on that will make your next solo awesome if you can just master it. Not to mention all the half-finished things that you keep meaning to come back to but somehow never do. If [read more…]
Permutation – “often major or fundamental change (as in character or condition) based primarily on rearrangement of existent elements.” “the act or process of changing the lineal order of an ordered set of objects.” – Merriam-Webster Thank you Merriam. You hit the nail on the head. The “rearrangement of existent elements” and the “ordered set [read more…]
This is a general term that I use that includes the use of the descending be-bop scale (half step between the root and dominant 7th) and all the various versions of the ascending and descending major be-bop scales…check out the many videos on this subject that are based on the teachings of master Barry Harris. [read more…]
lan·guage – the method of human communication. Let me start by saying music is a universal language, and within jazz, there are various “accents”, if you will, such as blues, bebop, cool, swing, and the list goes on. Learning the bebop jazz language in a fun and easy way is the purpose of this concept [read more…]
Here’s a simple exercise to help you gain confidence moving around various subdivisions of the beat while also improving the accuracy of your articulation at the same time. You’ll definitely need a metronome for this one, and it’s a good idea to record yourself doing this so you can hear how precisely you’re able to [read more…]
The Intro David Liebman is a man who needs no introduction to virtually anyone in the saxophone world. But for those of you who need to be introduced, in my estimation, a bona-fide living legend, and an important voice in many seminal moments in the history of jazz. Going back, there is his work on the [read more…]
If you’re like me, you’re probably always looking for ways to play better improvised solos. This may be by improving your harmonic or rhythmic vocabulary, your fluency with the jazz language, or just your overall creativity. My suggestion involves working through a series of self-imposed limitations, or parameters, in the way you approach practicing on [read more…]
One very important concept I work on with students (as well as work on myself) can be distilled down to three words. What I infer in this statement is that an instrumentalist might think of a way to formulate their playing, be it improvised or playing the theme, so that you can actually hear all [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
