Introduction There are more and more talented saxophone players hitting the scene today. With so much talent and fewer gigs, you really need to hone your skills as a saxophonist, but most importantly as a versatile musician. One player I really see making strides towards not just being accomplished on his instrument, but also becoming [read more…]
Introduction I am continuously speaking to saxophone players on the scene today and am always asking “are there any new players I should be checking out?” Recently, the name that has come up quite a bit is a saxophonist named Chris Bittner. Fortunately at NAMM 2020, I ran into Derek Cliff Crane who runs SaxSpy [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
SAXOPHONETONE.COM
The Ultimate Guide to Saxophone Sound Production
The argument for and against “shredding” is as old as music itself. In this article I will define the term “shredding” and try to look at it from a perspective that I think is overlooked by most musicians who are anti-shredding. I will also explain, with examples, why I believe shredding is probably a good [read more…]
Maxim Shalygin’s Todos los Todos el Fuego (2019) is a new, nearly 90-minute long work for saxophone octet, inspired by the Argentinian writer Julio Cortazar. While there have been other original works for 8 saxophones, no work has ever combined tonal and avant garde elements with the scope and scale found in Maxim’s piece, called [read more…]
I’m writing this list at a coffee shop in Des Moines, IA before my forty fifth show on a 44-day tour. In the last 44 days I had the pleasure of playing in multiple cities in WI, MI, MN, ND, SD, WY, MT, ID, UT, WA, BC, OR, CA, AZ, TX, Mexico, NM, CO, NE [read more…]
Introduction At the 2019 NAMM Show, I was able to meet up with Jeff Ellwood, who is a saxophone player and teacher based out of Southern California. I have been following Jeff’s playing for quite some time as well practicing his educational materials, which are very good for players at all levels. For those of [read more…]
I’d like to dig into two concepts to help give you something that you can try out for yourself, today. The first idea is great for beginner/intermediate players, the second is a more advanced idea. Let’s look at the beginning 8 measures of the etude on All The Things You Are (Bb version): Take a [read more…]
Anyhow who’s subscribed to the Best. Saxophone. Website. Ever. newsletter or follows the site on social media knows that I’ve just released a new course by sax legend, David Liebman titled The Ultimate Guide to Saxophone Sound Production. In a nutshell, it’s the culmination of his entire life’s work teaching the art of saxophone sound [read more…]
Biography As a saxophonist, composer and teacher, native New Yorker Sam Dillon has established himself as one of the most in demand musicians of his generation. Currently, Sam maintains a very active performance schedule as both a bandleader and member of The Jimmy Heath Big Band, The Slide Hampton Octet, The Mingus Big Band, The [read more…]
Probably like most people, the thing that drew me to the saxophone was it’s sound. Initially, Coleman Hawkins on a 1950s French film sound track, then later countless other players. Early in my playing career it struck me that if you make a great sound then you don’t actually have to play that much; one [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
