Biography From touring with Christian Scott to working on and producing his own music, Braxton Cook is not your average saxophone player. His high level of execution on the saxophone as well as business-savviness is something many young and experienced musicians should strive for. For those of you who are not already checking out Braxton, [read more…]
Biography Melissa Aldana to put it simply is one of the premier young saxophonists who has been hitting the scene and really making a name for herself. For those of you who don’t already know or listen to Melissa (in which case I highly encourage you to do ASAP), here are some key details on [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
SAXOPHONETONE.COM
The Ultimate Guide to Saxophone Sound Production
As 2019 marked the 60th anniversary of John Coltrane’s initial recording of “Giant Steps” (March, 1959 for the Atlantic record label), it seems hard to believe that it was really that long ago. Along with an additional pair of originals, “Countdown” and “Fifth House”, also recorded that year, these three tunes employed a harmonic device [read more…]
As jazz saxophonists we are always contending with the challenge of “originality.” Like most saxophone students, I started out practicing from method books and transcribed solos, but eventually realized that I was not going to stand out as a player, or feel creatively fulfilled, if I only practiced what everyone else was practicing. I had [read more…]
Introduction For those of you who do not know Baptiste Herbin (especially if you’re an alto player), you’re in for a treat. I have been following Baptiste’s playing for quite some time and have been amazed by his extraordinary command of all aspects of playing, from sound, to technique, to harmony, and rhythm. As [read more…]
Photo By “Lindsey Victoria Photography” Introduction I remember seeing and hearing Don Braden play at my first Jamey Aebersold Summer Jazz Camp. Since then, I have followed Don as a player as well as teacher and this past [read more…]
Introduction I recently had the chance to speak with San Francisco Bay Area sax pro, Tim Lin, and he was nice enough to share some examples of melodic shapes, which I believe could benefit any player, whether they are beginning or advanced. My hope is that the exercises included in this article will be a [read more…]
Introduction There are more and more talented saxophone players hitting the scene today. With so much talent and fewer gigs, you really need to hone your skills as a saxophonist, but most importantly as a versatile musician. One player I really see making strides towards not just being accomplished on his instrument, but also becoming [read more…]
Introduction I am continuously speaking to saxophone players on the scene today and am always asking “are there any new players I should be checking out?” Recently, the name that has come up quite a bit is a saxophonist named Chris Bittner. Fortunately at NAMM 2020, I ran into Derek Cliff Crane who runs SaxSpy [read more…]
The argument for and against “shredding” is as old as music itself. In this article I will define the term “shredding” and try to look at it from a perspective that I think is overlooked by most musicians who are anti-shredding. I will also explain, with examples, why I believe shredding is probably a good [read more…]