Introduction I am continuously speaking to saxophone players on the scene today and am always asking “are there any new players I should be checking out?” Recently, the name that has come up quite a bit is a saxophonist named Chris Bittner. Fortunately at NAMM 2020, I ran into Derek Cliff Crane who runs SaxSpy [read more…]
The argument for and against “shredding” is as old as music itself. In this article I will define the term “shredding” and try to look at it from a perspective that I think is overlooked by most musicians who are anti-shredding. I will also explain, with examples, why I believe shredding is probably a good [read more…]
The new JodyJazz DV HR Tenor uses the patented DV secondary window to add mid and low harmonics, resulting in a more authoritative tone than normal tenor sax mouthpieces provide. And the long straight somewhat high baffle gives the mouthpiece it’s fantastic projection and cutting power along with excellent altissimo.
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The New DV HR Tenor from JodyJazz
In this article, we’re going to be taking deep-dive into a project me and my group recently recorded in Spain at Berklee Valencia. The song began in spring 2018 inspired by The Venus Project, initially refined while at Boysie Lowery Jazz Residency in Wilmington, Delaware (USA) shortly before leaving for Spain. I wanted to write [read more…]
Maxim Shalygin’s Todos los Todos el Fuego (2019) is a new, nearly 90-minute long work for saxophone octet, inspired by the Argentinian writer Julio Cortazar. While there have been other original works for 8 saxophones, no work has ever combined tonal and avant garde elements with the scope and scale found in Maxim’s piece, called [read more…]
I’d like to dig into two concepts to help give you something that you can try out for yourself, today. The first idea is great for beginner/intermediate players, the second is a more advanced idea. Let’s look at the beginning 8 measures of the etude on All The Things You Are (Bb version): Take a [read more…]
Anyhow who’s subscribed to the Best. Saxophone. Website. Ever. newsletter or follows the site on social media knows that I’ve just released a new course by sax legend, David Liebman titled The Ultimate Guide to Saxophone Sound Production. In a nutshell, it’s the culmination of his entire life’s work teaching the art of saxophone sound [read more…]
Probably like most people, the thing that drew me to the saxophone was it’s sound. Initially, Coleman Hawkins on a 1950s French film sound track, then later countless other players. Early in my playing career it struck me that if you make a great sound then you don’t actually have to play that much; one [read more…]
There’s no good improviser in any style of music who hasn’t spent time mastering their pentatonic scales. The question, as always, is how do we master them and make them work for our own playing? The Pentatonic Pitfall Many beginning improvisers immediately start working with basic patterns and simply aim to rip through them as [read more…]
I’ve loved Lester Young and Stan Getz since I was 10 years old. Something about their warm tone and assertive yet flowing time moves me, as I’m sure it does many of you. I’ve spent most of my life wrestling with my horn trying to achieve this fluency, with countless transcriptions and hours upon hours [read more…]
Playing the saxophone requires a lot of practice and repetition if you want to be the best. Warmups are a big part of keeping your muscle memory sharp and increasing your lung capacity so that you can play better, for longer. Doing saxophone warmups and practice exercises before performing also help to focus your mind [read more…]
Tips and Techniques from the pros PLUS free access to the Sax Lessons with the Stars archive - 10 years worth of interviews and exercises featuring the likes of David Liebman, Bob Mintzer, Ben Wendel, Bob Reynolds, and many more!
