There seems to a be a common idea that improvising in odd time signatures is hard. When I come across a new time signature, I remind myself that it isn’t difficult – it’s unfamiliar. If you think 4/4 is easy, that’s likely because you’ve spent significantly more time playing songs in four, making it familiar [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
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The Ultimate Guide to Saxophone Sound Production
Introduction If you’re looking for another smokin’ alto player to add to your list of people to check out, Nick Biello is your guy. Besides being as a top-notch alto player, Nick can also be seen playing bari, tenor, and soprano in various groups. I first saw videos of Nick playing alto saxophone when I [read more…]
Introduction The following article is a mini-lesson that incorporates an etude from Little Leaps and Sounds, which is my latest book geared towards the intermediate level and includes etudes written over twelve common jazz standards. After releasing Volume 1-3 of Leaps and Sounds between 2018-2020, I saw there might be a need for etudes written with [read more…]
Introduction I strongly believe that transcription is the key to learning jazz improvisation. This certainly was the case for me and for the numerous jazz musicians that I have performed with over the years. I do not believe that I have met a great improviser that claimed to have never transcribed. For me, a light [read more…]
How can you improve the essential elements of your improvisation? Follow the advice in Sy Oliver & Trummy Young’s song: “It Ain’t What You Do (It’s the Way That You Do It).” Great soloists play interestingly and confidently. As listeners, we perceive that as charisma. In jazz education, there’s a lot of focus on what [read more…]
Lately I’ve been asked by other saxophonists how I am able to play notes below the normal range of the saxophone, which, as just about anyone reading this would know, is the low Bb, below the staff – especially since there don’t seem to be any keys on the instrument which would appear able to [read more…]