Professional classical musicians seem to be able to memorize impossibly complicated solo works, orchestral excerpts, and other pieces in a short amount of time and with remarkable recall and precision. Similarly, professional jazz musicians know hundreds of tunes and seem to be able to play back almost anything they hear – in any key [read more…]
One of the most basic and important truths of improvising is that no matter what note you play, you’re never more than a half-step away from the “right” note. Besides being a comforting thing to know, this truth might actually help you get out of a musical jam, and could also help you expand your [read more…]
Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like...you. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.
So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.
Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the "real deal" for players at any level.
SAXOPHONETONE.COM
The Ultimate Guide to Saxophone Sound Production
Technical Exercises in all Keys All players should organize their practice, but that structure should also leave a lot of room for variety and creativity. For most of my students, I recommend they practice in one key every week with a combination of scales and arpeggios, plus some kind of technical exercise that resembles the [read more…]
I’m sure many of you remember that first time you sat down to play some sheet music with somebody playing another instrument, and most likely had that crazy realization that you might be reading the same note on the page, but different notes are coming out of your instruments! Maybe you showed up to band [read more…]
Hey there guys. For those of you who are subscribed to either the Best. Saxophone. Website. Ever. newsletter, or the Jazz Lessons with Giants newsletter, and assuming that you read my latest email, this is old news. But for everyone else…hear ye hear ye! In this third and final installment in the series of audio master class [read more…]
Hey there guys. For those of you who are subscribed to either the Best. Saxophone. Website. Ever. newsletter, or the Jazz Lessons with Giants newsletter, and assuming that you read my latest email, this is old news. But for everyone else…hear ye hear ye! First off, I wanted to send my most sincere thanks for the unbelievable support [read more…]
My 7-Minute Jazz Micro-Documentary with Mintzer, Liebman, and Sheppard I’m PUMPED! I’ve got a very exciting announcement I want to share with you guys. It’s a bit of self-promotion, but I’m also going to be giving away some cool free stuff for you guys, so this is a good thing. :) Those of you who [read more…]
This article was written by guest contributor, Bobby Stern, a long time professional saxophonist, jazz player, educator, Bari Woodwinds endorser and author of “The Melodic Minor Handbook: A Jazz Player’s Perspective” as well as a new self published eBook “Slick Licks That Stick!” This is a very useful series of exercises for building your chops and acclimating your ear to different tonal [read more…]